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The Goonies

"Goonies never say die!"

Friday May 24th @ 10pm
Saturday May 25th @ 10pm

 

Leonard Maltin wasn't alone when he noticed similarities between Goonies and the 1934 Our Gang comedy Mama's Little Pirate. Adapted by Chris Columbus from a story by Steven Spielberg, the film follows a group of misfit kids (including such second-generation Hollywoodites as Josh Brolin and Sean Astin) as they search for buried treasure in a subterranean cavern. Here they cross the path of lady criminal Mama Fratelli (Anne Ramsey) and her outlaw brood. Fortunately, the kids manage to befriend Fratelli's hideously deformed (but soft-hearted) son (John Matuszak), who comes to their rescue. The Spielberg influence is most pronounced in the film's prologue and epilogue, when the viewer is advised that the film's real villains are a group of "Evil Land Developers." The musical score makes excellent use of Max Steiner's main theme from The Adventures of Don Juan, not to mention contributions by the likes of Richard Marx and Cyndi Lauper.

1985/PG/114 mins

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Gremlins

"Don't get him wet, keep him out of bright light, and never feed him after midnight.”

Friday May 31st @ 10pm
Saturday June 1st @ 10pm

 

"Don't expose him to bright light. Don't ever get him wet. And don't ever, ever feed him after midnight." This sage advice is ignored midway through Gremlins, with devastating results. This comic Joe Dante effort is set in a Norman Rockwell-esque small town at Christmastime. Seeking a unique gift for his son an erstwhile inventor (Hoyt Axton) purchases a cute, fuzzy little "Mogwai" from a Chinatown shopkeeper's (Keye Luke) grandson (John Louie), who dispenses the above-mentioned warning before closing the deal. Meanwhile, young bank clerk Billy Peltzer (Zach Galligan) must suffer such antagonists as rich-bitch Mrs. Deagle (Polly Holliday) and priggish Gerald (Judge Reinhold) while pursuing his romance with Kate (Phoebe Cates). These and a variety of other plot strands are tied together when the lovable mogwai (named Gizmo) is exposed to bright light and gotten wet. In short order, the town is invaded by nasty, predatory Gremlins, who lay waste to everything in sight as Billy and Kate try to contain the destruction. Like most of Joe Dante's works, Gremlins is chock-full of significant cameo appearances: in this instance, such pop-culture icons as Dick Miller, Jackie Joseph, Chuck Jones, Scott Brady, Harry Carey Jr., Steven Spielberg (the film's executive producer) and even Robby the Robot all show up briefly on screen.

1984/PG/106 mins

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Rocky

"His whole life was a million to one shot.”

Friday June 7th @ 10pm
Saturday June 8th @ 10pm

 

Rocky Balboa (Sylvester Stallone), a Philadelphia boxer, is but one step removed from total bum-hood. A once-promising pugilist, Rocky is now taking nickel-and-dime bouts and running strongarm errands for local loan sharks to survive. Even his supportive trainer, Mickey (Burgess Meredith), has given up on Rocky. All this changes thanks to Muhammad Ali-like super-boxer Apollo Creed (Carl Weathers). With the Bicentennial celebration coming up, Creed must find a "Cinderella" opponent for the big July 4th bout -- some unknown whom Creed can "glorify" for a few minutes before knocking him cold. Rocky Balboa was not the only Cinderella involved here: writer/director Sylvester Stallone, himself a virtual unknown, managed to sell his Rocky script (one of 35 that he'd written over the years) on the proviso that he be given the starring role. Since the film was to be made on a shoestring and marketed on a low-level basis, the risk factor to United Artists was small. For Stallone, this was a make-or-break opportunity -- just like Rocky's million-to-one shot with Apollo Creed. Costing under a million dollars, Rocky managed to register with audiences everywhere, earning back 60 times its cost. The film won several Academy Awards, including Best Picture.

1976/PG/119 mins

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Better Off Dead

“Insanity doesn't run in the family, it gallops.”

 

Friday June 14th @ 10pm
Saturday June 15th @ 10pm

Most animation aficionados of the 1990s know "Savage Steve Holland" as the cocreator (with Bill Kopp) of the all-stops-out TV cartoon series Eek! The Cat. But Holland had been exercising his own peculiar brand of deviltry on live characters long before Eek! came into being. In Holland's Better Off Dead, John Cusack plays a lovestruck teenager, hopelessly enamored with Amanda Wyss. When she dumps him in favor of a more popular high-schooler, the boy's entire day quickly goes to Hell. In the words of Hamlet, all occasions do inform against Cusack: he is bullied, tormented and torn apart by everyone from the paperboy (who seemingly turns up everywhere) to the disembodied voice of a radio deejay. Cusack attempts suicide, but his efforts are just as unsuccessful-and amusing-as Bud Cort's in Harold and Maude. Meanwhile, French exchange student Diane Franklin, held a virtual prisoner by her host family, develops a long-distance crush on Cusack.

1985/PG/97 mins

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Scream

“Someone has taken their love of scary movies one step too far. Solving this mystery is going to be murder.”

 

Friday June 21st @ 10pm
Saturday June 22nd @ 10pm

Scream is at once a slasher film and a tongue-in-cheek position paper on the "dead teenagers" movies of the late 1970s/early 1980s that plays as half-parody, half-tribute. Sydney Prescott (Neve Campbell) is having a rough time lately: she's still getting over the brutal rape and murder of her mother a year ago, and now one of her friends (Drew Barrymore) has been killed by a lunatic who harassed her with terrifying phone calls, then stabbed her to death while wearing a Halloween costume. Soon Sydney is receiving similar phone calls, quizzing her on the arcane details of such films as Friday the 13th and Prom Night, and is attacked by the same cloaked maniac. With her father missing, she has hardly anyone on her side except her best friend Tatum (Rose McGowan) and Tatum's brother Dewey (David Arquette), a half-bright cop. As for the murderer, it could be any number of people: Syd's father; her cute but overly intense boyfriend Billy (Skeet Ullrich); Tatum's goofball boyfriend Stuart (Matthew Lillard); or Randy (Jamie Kennedy), who works at the local video store and seems to like horror movies just a little too much. Much like Halloween, Scream spawned a series of sequels and inspired a large number of similar films.

1996/R/111 mins

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Pulp Fiction

“Girls like me don't make invitations like this to just anyone!”

 

Friday June 28th @ 10pm
Saturday June 29th @ 10pm

Outrageously violent, time-twisting, and in love with language, Pulp Fiction was widely considered the most influential American movie of the 1990s. Director and co-screenwriter Quentin Tarantino synthesized such seemingly disparate traditions as the syncopated language of David Mamet; the serious violence of American gangster movies, crime movies, and films noirs mixed up with the wacky violence of cartoons, video games, and Japanese animation; and the fragmented story-telling structures of such experimental classics as Citizen Kane, Rashomon, and La jetée. The Oscar-winning script by Tarantino and Roger Avary intertwines three stories, featuring Samuel L. Jackson and John Travolta, in the role that single-handedly reignited his career, as hit men who have philosophical interchanges on such topics as the French names for American fast food products; Bruce Willis as a boxer out of a 1940s B-movie; and such other stalwarts as Harvey Keitel, Tim Roth, Christopher Walken, Eric Stoltz, Ving Rhames, and Uma Thurman, whose dance sequence with Travolta proved an instant classic.

1994/R/154 mins

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Jaws

“See it before you go swimming."

 

Friday July 5th @ 10pm
Saturday July 6th@ 10pm

Based on Peter Benchley's best-selling novel, Steven Spielberg's 1975 shark saga set the standard for the New Hollywood popcorn blockbuster while frightening millions of moviegoers out of the water. One early summer night on fictional Atlantic resort Amity Island, Chrissie decides to take a moonlight skinny dip while her friends party on the beach. Yanked suddenly below the ocean surface, she never returns. When pieces of her wash ashore, Police Chief Brody (Roy Scheider) suspects the worst, but Mayor Vaughn (Murray Hamilton), mindful of the lucrative tourist trade and the approaching July 4th holiday, refuses to put the island on a business-killing shark alert. After the shark dines on a few more victims, the Mayor orders the local fishermen to catch the culprit. Satisfied with the shark they find, the greedy Mayor reopens the beaches, despite the warning from visiting ichthyologist Hooper (Richard Dreyfuss) that the attacks were probably caused by a far more formidable Great White. One more fatality later, Brody and Hooper join forces with flinty old salt Quint (Robert Shaw), the only local fisherman willing to take on a Great White--especially since the price is right. The three ride off on Quint's boat "The Orca," soon coming face to teeth with the enemy.

1975/PG/124 mins

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The Blues Brothers

“They'll never get caught. They're on a mission from God. "

 

Friday July 12th @ 10pm
Saturday July 13th @ 10pm

Expanding on their Saturday Night Live characters, John Belushi and Dan Aykroyd star as Jake and Elwood Blues, two white boys with black soul. Sporting cool shades and look-alike suits, Jake and Elwood are dispatched on a "mission from God" by their former teacher, Sister Mary Stigmata (Kathleen Freeman). Said mission is to raise $5000 to save an orphanage. In the course of their zany adventures, the Blues Brothers run afoul of neo-Nazi Henry Gibson, perform the theme from Rawhide before the most unruly bar crowd in written history, and lay waste to hundreds of cars on the streets and freeways of Chicago. In case you aren't swept up in the infectuous nuttiness of the brothers Blue, you might have fun spotting film's legion of guest stars, including James Brown, Cab Calloway, Aretha Franklin, Ray Charles, John Candy, Carrie Fisher, Steve Lawrence, Twiggy, Paul Reubens (aka Pee-Wee Herman), Frank Oz, and Steven Spielberg.

1980/R/133 mins

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Back To The Future

“Marty McFly just broke the time barrier. He's only got one week to get it fixed."

 

Friday July 19th @ 10pm
Saturday July 20th @ 10pm

Contemporary high schooler Marty McFly (Michael J. Fox) doesn't have the most pleasant of lives. Browbeaten by his principal at school, Marty must also endure the acrimonious relationship between his nerdy father (Crispin Glover) and his lovely mother (Lea Thompson), who in turn suffer the bullying of middle-aged jerk Biff (Thomas F. Wilson), Marty's dad's supervisor. The one balm in Marty's life is his friendship with eccentric scientist Doc (Christopher Lloyd), who at present is working on a time machine. Accidentally zapped back into the 1950s, Marty inadvertently interferes with the budding romance of his now-teenaged parents. Our hero must now reunite his parents-to-be, lest he cease to exist in the 1980s. It won't be easy, especially with the loutish Biff, now also a teenager, complicating matters. Beyond its dazzling special effects, the best element of Back to the Future is the performance of Michael J. Fox, who finds himself in the quagmire of surviving the white-bread 1950s with a hip 1980s mindset. Back to the Future cemented the box-office bankability of both Fox and the film's director, Robert Zemeckis, who went on to helm two equally exhilarating sequels.

1985/PG/116 mins

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Ferris Bueller's Day Off

“One man's struggle to take it easy."

 

Friday July 26th @ 10pm
Saturday July 27th @ 10pm

Teenaged Ferris Bueller (Matthew Broderick) is a legend in his own time thanks to his uncanny skill at cutting classes and getting away with it. Intending to make one last grand duck-out before graduation, Ferris calls in sick, "borrows" a Ferrari, and embarks on a one-day bacchanal through the streets of Chicago. Dogging Ferris' trail at every turn is high-school principal Rooney (Jeffrey Jones), determined to catch Bueller in the act of class-cutting. Writer/director John Hughes once again tries to wed satire, slapstick, and social commentary, as Ferris Bueller's Day Off starts like a house afire and goes on to make "serious" points about status-seeking and casual parental cruelties. It brightens up considerably in the last few moments, when Ferris' tattletale sister (Jennifer Grey) decides to align herself with her merry prankster sibling. A huge moneymaker, Ferris Bueller's Day Off eventually spawned a TV sitcom.

1986/PG-13/103 mins

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Raiders of the Lost Ark

“The return of the great adventure.”

 

Friday August 2nd @ 10pm
Saturday August 3rd @ 10pm

Indiana Jones (Harrison Ford) is no ordinary archeologist. When we first see him, he is somewhere in the Peruvian jungle in 1936, running a booby-trapped gauntlet (complete with an over-sized rolling boulder) to fetch a solid-gold idol. He loses this artifact to his chief rival, a French archeologist named Belloq (Paul Freeman), who then prepares to kill our hero. In the first of many serial-like escapes, Indy eludes Belloq by hopping into a convenient plane. So, then: is Indiana Jones afraid of anything? Yes, snakes. The next time we see Jones, he's a soft-spoken, bespectacled professor. He is then summoned from his ivy-covered environs by Marcus Brody (Denholm Elliott) to find the long-lost Ark of the Covenant. The Nazis, it seems, are already searching for the Ark, which the mystical-minded Hitler hopes to use to make his stormtroopers invincible. But to find the Ark, Indy must first secure a medallion kept under the protection of Indy's old friend Abner Ravenwood, whose daughter, Marion (Karen Allen), evidently has a "history" with Jones. Whatever their personal differences, Indy and Marion become partners in one action-packed adventure after another, ranging from wandering the snake pits of the Well of Souls to surviving the pyrotechnic unearthing of the sacred Ark. A joint project of Hollywood prodigies George Lucas and Steven Spielberg, with a script co-written by Lawrence Kasdan and Philip Kaufman, among others, Raiders of the Lost Ark is not so much a movie as a 115-minute thrill ride. Costing 22 million dollars (nearly three times the original estimate), Raiders of the Lost Ark reaped 200 million dollars during its first run. It was followed by Indiana Jones and the Temple of Doom (1985) and Indiana Jones and the Last Crusade (1989), as well as a short-lived TV-series "prequel."

1981/PG/115 mins

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The Warriors

“Tonight they're all out to get the Warriors."

 

Friday August 9th @ 10pm
Saturday August 10th @ 10pm

Walter Hill's hip, super-stylized action film unfurls in a dystopian near-future, when various gangs control New York City. Each gang sports a unique moniker ('The Warriors,' 'The Baseball Furies,' 'The Rogues'), with a costume underscoring its "theme"; each, in turn, is also responsible for one geographic area. Hill sets up the landscape as a massive, violent playground - replete with bridges, vacant subway tunnels, parks, abandoned buildings and the like, all ripe for exploration and adventure. As the tale opens, the titular Coney Island has traveled to the Bronx to attend a city-wide meeting of all gangs; at that event, however, the psychotic leader of a rival gang, The Rogues (David Patrick Kelly of Dreamscape) assassinates the head of the city's foremost gang, but The Warriors are pegged as culpable. This sends the gang fleeing through the labyrinthine city. With every thug in Manhattan in vicious, homicidal pursuit, they must also overcome all obstacles in their way. Throughout, Hill keeps the onscreen violence absurd, exaggerated and unrealistic, downplaying death to an extreme degree; despite this fact, the film sparked a massive amount of controversy and an ugly backlash for allegedly inciting violence and destruction in several theaters where it initially played. James Remar, Michael Beck and Deborah Van Valkenburgh lead the ensemble cast.

1979/R/92 mins

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National Lampoon's Vacation

“Every summer Chevy Chase takes his family on a little trip. This year he went too far. ”

 

Friday August 16th @ 10pm
Saturday August 17th @ 10pm

The first film in the Vacation comedy franchise stars Chevy Chase as Clark Griswold, an ad exec who becomes consumed with taking his family cross-country to Wally World, a California amusement park. Less a vacation than a descent into a peculiarly American kind of hell, the Griswolds suffer through an endless series of catastrophes, culminating in a run-in with the law.

1983/R/98 mins

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